#Kontakt 6 player work with kontakt 5 how to
#Kontakt 6 player work with kontakt 5 mod

Your third option is to use Kontakt’s MIDI Automation panel - just drag MIDI CCs from the list and drop them on the desired Kontakt instrument controls. The Max For Live knobs that send these messages can be automated in Live. Another option is to use a Max For Live device such as the Max MIDI Effect ‘CC128’ to send MIDI Control Change (CC) messages for Kontakt to learn. The easiest way is to use Kontakt’s MIDI Learn feature: right-click any Kontakt control and then send a MIDI message from Live using a MIDI control surface or using MIDI sent from a Live Clip (this works for front-panel and Edit mode controls). The alternative is MIDI modulation, which you can set up in several ways. Two limitations to this method are that all automation and modulation must be on the Kontakt plug-in track, and only the controls on a Kontakt instrument’s control panel are accessible - controls on its Edit panel are not. Once configured, you can apply track or clip automation as well as clip modulation to a control, as well as map device Rack Macro knobs to it. Kontakt offers fully-featured automation, and at the top level it works like other Live plug-in device automation: click the Unfold Device Parameters triangle in the Device Title Bar, click the Configure button and then click controls in the Kontakt instrument’s control panel to add them to the Configure list. Clip-based Host Automation and MIDI Control Change messages modulate Kontakt instrument parameters (bottom). Screen 2: Two External Instruments in an Instrument Rack on a single track crossfade between two Kontakt instruments (top). For example, you might use key zones to separate orchestral parts in a multi-part MIDI clip. Along with or instead of the Chain Selector you can use key and velocity zones to switch or crossfade between chains.

#Kontakt 6 player work with kontakt 5 mod

You could map the Mod Wheel directly to the Chain Selector, but the Macro knob is handy for on-screen changes and Live-supported control surfaces. For the crossfade, map one of the Rack’s Macro knobs to the Chain Selector and map the MIDI Mod Wheel (CC1) to that Macro knob. For example, you can create a real-time crossfade by combining two or more External Instruments in an Instrument Rack and then using the Rack’s Chain Selector as shown in Screen 2. You’ll get a bit more out of Kontakt by making use of Live’s Instrument Racks. You can freeze External Instrument tracks.& Roundabouts Insert one on a new MIDI track and assign its MIDI To and Audio From as just described when using separate MIDI and Audio tracks.

You can capture Kontakt’s output by recording on the audio tracks, but in Live versions 7 and above, Live’s External Instrument device offers a better solution. The separate-tracks solution is straightforward, but using two extra tracks for each additional instrument makes for a rather cluttered track list and the tracks cannot be frozen to save CPU cycles. For the details, see the ‘Configuring Kontakt For Live’ box. Although Live always shows the maximum number of audio inputs, Kontakt must be configured to use them. The AU version pairs consecutive mono output numbers with the Kontakt plug-in name (for example, the stereo input comprising Kontakt mono outs 3 and 4 is labelled ‘3/4-Kontakt 5’). In Live, Kontakt output labels depend on the plug-in version used. To receive audio from different Kontakt outputs, create separate Live audio tracks and assign their input to one of the additional 15 stereo outputs available from Kontakt (the first output, labelled ‘Main,’ is reserved for the track holding the Kontakt plug-in). Kontakt provides 16 MIDI inputs (A1 to A16), and the corresponding Live outputs are labelled by their number followed by the name of the Kontakt plug-in (for example, A2 appears as ’2-Kontakt 5’ in Live). One way to send MIDI to different instruments in Kontakt’s Multi Rack is to create a separate MIDI track for each instrument and set the track’s output to the Kontakt MIDI input for that instrument. Screen 1: You can use two Live tracks (left) or one External Instrument track (right) to access instruments in Kontakt’s Multi Rack. That does take a little doing, so read on. With this approach, you drag all of your instruments into the same instance of Kontakt and set them up to use separate Kontakt MIDI inputs and audio outputs. That’s all well and good, but you’ll gain a lot of flexibility, avoid a few headaches and save some CPU cycles by using a single instance of Kontakt to hold all of your instruments and then using Live’s tracks and Racks to sort things out. In each case, just drag an instrument from Kontakt’s browser into its Multi Rack and start playing. The easiest way to work with Kontakt in Live is to use a separate instance of the Kontakt plug-in for each Kontakt instrument in your song.

#Kontakt 6 player work with kontakt 5 how to

We show you how to integrate Kontakt with Live.